program

QYMA surprises us with experimental sounds, field recordings, electroacoustic atmospheres and ambient noise.

We listen to the session together in silence.

The session begins on time. Arriving a bit late? No worries, just come in quietly to preserve the listening atmosphere. We can’t wait to see you!

Please note: we do not take reservations.

The Pushamann brings  ambient, dub, electronica, and soul rarities.

Join us to listen to Edmony Krater Et Zepiss: Tijan Pou Velo (Editions Kaluila, 1988. 38 min • vinyl).

We listen to the album together in silence.

The session begins on time. Arriving a bit late? No worries, just come in quietly to preserve the listening atmosphere. We can’t wait to see you!

Please note: we do not take reservations.

Acidfinky stuns us with a set that is smooth, tasteful, warm, dreamy and playful.

Kodomo takes us on a journey that is atmospheric, cinematic, evocative, cerebral and chill.

Madame Shazzzam spoils us with shimmering, dreamy, lush and tender tunes.

We listen to the album together in silence.

The session begins on time. Arriving a bit late? No worries, just come in quietly to preserve the listening atmosphere. We can’t wait to see you!

Please note: we do not take reservations.

Dear Daniel conjures up an evening of ethereal sounds inspired by Faye Wong, blending the lush melodies of Cantopop with the hazy textures of dreampop.

ahmedshk takes us on a sonic journey across folk, jazz, psychedelic rock and dub.

For the first session of migas’ discursive program, curator and host Anna Fasolato invites Amira Alghoul to share her research and archival project on Taraweed (Tarweeda), a traditional form of Palestinian folk song sung by women.

From 2020 to 2025, Amira collaborated with women over the age of 40 across the Palestinian territories, including villages near Ramallah, such as Birzeit, as well as Bethlehem, Beit Jala, and Jericho. Through recordings, fieldwork, and conversation, she traced songs of land, ritual, and resilience passed from woman to woman. This research engages with and documents Palestinian traditional women’s folklore songs more broadly, where voices and lyrics act as vessels of memory and resistance.

Musically, we will explore raw recordings, ranging from wedding chants and henna rituals to coded songs of resistance, and examine the background of these songs, including their dialects, collective and spiritual meanings, and the knowledge they embody. The session will also explore Taraweed in more depth, along with the different forms these songs can take.

Amira Alghoul is a Palestinian artist, musician, and researcher based in Berlin. Her work moves between sound, memory, and storytelling, focusing on oral histories, traditional music practices, and experimental composition. Through field recordings, performances, and archival work, she explores how sound carries identity, resistance, and intimate forms of knowledge across generations.

Anna Fasolato is a curator and cultural manager based in Berlin. She holds space at SAVVY Contemporary and Salon am Moritzplatz, and conspires within the research collective REINCANTAMENTO.